Meat Loaf
November 10th, 2006 at 3:11 am (Musings)
Yes, I’m a fan - ever since a kind-hearted bad-boy-wannabe that I miss like all hell introduced me to his music when I was fifteen. I remember speeding through town in his Mercury Lynx hatchback, windows down, cone incense in an ashtray that must have been glued to the carpeted dashboard, our hair tangled around our heads while we screamed along to “All Revved Up with No Place to Go.” And we were.
Meat Loaf is pure cheese, of course, but I really don’t have all that much cheese in my life (well, music-wise, at least), so this makes up for it. John Gorka often adds some extra cheese to the dishes he serves up, and Ellis Paul has been known to go a bit over the top, but that’s about it.
That said, if you’re not up for a long, rambling review of Mr. Loaf’s latest album, stop reading now.
Anyway, I’ve been listening to Bat Out of Hell III (which came out on Halloween, no less), and I’m not sure what I think about it, yet. It certainly didn’t hit me the way the first two Bat Out of Hell albums did - like a direct link to my heart. Several of the songs will have to grow on me. I swear, I’m hearing Motley Crue (not surprising, considering one of the M.C. guys is playing on the album) and Iron Maiden. Blech! That’s not the Loaf I know! So, three heavy metal songs…. I don’t know that I can handle that. Can heavy metal grow on me? We’ll see….
Then, his version of “It’s All Coming Back to Me Now.” Yes, it’s a Jim Steinman song (not all of the tracks on this album are), but they’ve chosen the wrong girl for the duet! She has this perfect, pop-ish voice, and that just doesn’t jive with Meat Loaf. Give me Ellen Foley or Lorraine Crosby - or even Cher (who sang with him on “Dead Ringer for Love”). Someone with a less polished set of pipes. Two bell-like voices just don’t work for a Bat duet. Sigh…. Well, at least it’s better than Celine Dion’s version….
Looking to listen to some Queen? Try the fourth track: “Bad for Good.” Yup, Brian May from Queen plays on this track - and it really works. There are a lot of similarities between Steinman/Loaf and Queen. It’s very Queen-like, especially in the guitar (of course) and some of the background vocals, but this song is definitely steeped in pure Bat Out of Hell stylings. Others reminiscent of the older Bat albums are “Alive,” “What About Love” (featuring Patti Russo - who, of course, also would have been a much better choice for “It’s All Coming Back to Me Now”), and “Seize the Night” (ah, more Queen guitar).
But, strangely, my favorite track is “Blind as a Bat” - a song that would do well on just about any alternative radio station, I think, and not a Steinman creation. The lyrics can hold their own - despite their Steinman-less status:
And I wish that I could give you something in return
For the precious time you wasted on the tears I’ve never earned
For reaching out to help me ‘cross the bridges that I burned…Your love is blind, blind as a bat
The way that you’re leading me home like that
Your love is blind, blind as bat
Don’t judge by the snippets at Amazon or B&N, though - they capture the intro only. Instead, check it out at Meat Loaf’s MySpace page. It’s intense and catchy - as all good Meat Loaf songs are. But, the chorus doesn’t sound like a typical Meat Loaf song. At all. It’s much more mainstream than that, which is why I can’t understand how it’s become my favorite…. Go figure. I’ll just put that bag over my head, now, and shuffle away quietly….
All in all, the album feels pieced together to me. It’s not cohesive the way the first two are. That’s not surprising, I guess, given that Steinman didn’t write all the songs, didn’t produce it, didn’t really have anything to do with the making of it…. But, there are a few songs that will undoubtedly find a place among my favorites. Perhaps I should just make my own little compilation cd. Hmm…. Off to look for blank discs….
Andrew said,
November 11, 2006 at 6:55 am
I just want to point out that Seize the Night doesn’t have Brian May on guitar. The song was good, but it wasn’t as strong as it could have been. It was originally written for a Steinman Rock Opera called “Tanz Der Vampire” or “Dance of the Vampires” in english, based on an old Roman Polanski film. If you want to check out how it could have sounded, check out the English demo in the Multimedia section of
http://www.carpe-jugulum.com/
Or check out the better quality version here:
http://www.realmofdreams.com/steinman/dotv.html
You just have to scroll to almost the bottom of the page to find the demos. It’s listed as: 10. Carpe Noctem (Sieze The Night) - Kyle “Scarpia” Gordon.
The page is a rant about how Micheal Crawford ruined the show, which is true. There are some great songs, including some rewrites of classic Meat songs as well as some others of Steinman’s great songs. I particularly like Vampires in Love, Confessions of a Vampire and my personal favorite For Sarah. It’s too bad that the english version was ruined, because it would have been great to have these songs out there as a Soundtrack.
To be honest though, there is one part of Meat’s version of Seize the Night that I do really like, and that is when the Boy Soprano, Graham Phillips sings the latin. It gave me goosebumps when I first heard it, and still does.
If you like Steinman’s Music, look into Dream Engine, a new band covering his music, they can be found on Myspace also.
Tim said,
January 2, 2007 at 11:18 am
No no, Seize the night was not originally written for Dance of the Vampires… its from the first and only Jim Steinman Album “Bad for good”…. the melodie namend “the Storm” on this album. And then Steinman used it for “Tanz der Vampire” later.